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Sugoi Con Panels - Senno Knife and Nekoi Rutoto
Before Senno Knife set out on his own as a manga artist, he studied at the best manga "school" in Japan, working as an assistant to Leiji Matsumoto. At the time, the working magnum opus in the "Leijiverse" was "Space Cruiser Yamato," and Knife said he spent a lot of time drawing those familiar forced-perspective images of the reborn battleship. "Then I got to draw manga myself," said Knife when he appeared at Sugoi Con with Steve Bennett of IC Entertainment (left) and wife Nekoi Rutoto (right). Knife's favorite works turned out to be horror manga, a genre that died out in U.S. comics but stays strong in Japan. "I never was a fan of straight horror manga so I got to draw in a mix of genres, including horror and science fiction, but my best genre was horror. I feel that from Studio Ironcat I'm getting a chance to publish what i do best which is science fiction horror manga. `Dark Dimension' (an earlier Knife work which Ironcat will publish in English) was written for a girls manga, which was no surprise because the biggest audience for horror manga is girls. This series isn't so scary as much as it is a story about the world of the dead."
Japanese horror stories - like Japanese serious fiction of many kinds - are known for their unhappy endings where it seems that everyone dies. Knife wants to scare people with his stories, but not depress them - so he tries not to be sadistically cruel to his protagonists. "I don't think I've ever killed off the main character. I avoid endings where the readers are depressed. It's just horrific during the story, but I can't guarantee happy endings. That would be a little bit of a spoiler for the reader. I call them `fantastic endings.'" And just to show how unusual Knife's career has become; he's going to take time off from his manga career to draw storyboards for a 2003 anime production which he says "...will be a lot like Digimon."
Knife's wife, Nekoi Rutoto, performs with the independent synth-techno band Psy-Doll, a group that tries to avoid both the worlds of peppy J-pop and the beautiful males of visual kei and J-rock. "I think there are two types of bands," she said. "One type is synthesized by a producer and the second type forms by itself. I think this is the same in the United States. Bands like the Spice Girls (which was a British group) are well thought out through market research, where the producers decide if they're salable.
These synthetic bands have become popular as they're intended to become, but if you want the real thing you have to get away from the produced bands." While Nekoi thrives on the independent Japanese rock scene, she notes that those independent bands stay unknown because their members make no effort to promote them.
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