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Phoenix Anime Fest - Panels - 2006
Here's a glance at someone not seen by this site in a few years. Spike Spencer got his prominence in anime fandom by voicing Shinji Ikari in the English-language version of Neon Genesis Evangelion. That was more than a decade ago for the original Evangelion TV series, and since then, we've seen Shinji costumers more often than Shinji's voice. Spencer remains busy in voice acting, however, and he spent the last day of the Arizona convention telling old stories to fans. He still remembers the inaugural Anime Central in 1998, where an actor demanded a late-night card game without actually having any cards around - so they had to make their own cards. And Spencer had a hilarious story that confirms just how nasty some actors can get in the recording booth.
TokyoPop helped bring Tsutomu Nihei to Phoenix, and the publisher also used the convention to promote their American manga artists. Among the artists and editors on this Sunday panel is Felipe Smith, a past participant in TokyoPop's rising stars contest. Only a handful of artists win the contest and get an automatic chance to have their work published by TokyoPop, but those who don't win still have a chance. Sometimes, near-winners get work when the company is rushed to finish a title and needs help, he mentioned. Another person on the panel, Shannon Denton, said he had to enter the contest three times and keep applying to comics companies before he had any success. What Denton eventually learned was that he had to really listen to editors' critiques of his work and apply that to his art before his submissions really had a chance, he said.
Steve Bennett has his hands in several new projects, including his web site and an art project for a game. The Idol of Xi, the ScrollQuest game for which Bennett provided the art, offers a prize to anyone who buys the game's scroll, can follow the game's clues and find a coin that's That web site has several web comics that are Bennett's first attempt to create a daily, single-panel newspaper-style comics feature. Send Bennett an idea and he'll turn it into a web comic, he says. And Bennett's Koala Klub remains active at that site. Bennett still draws plenty of commissions for fans; on Sunday, he barely moved from his table outside the Phoenix dealer's room.
Thanks to Greg Ayres, we and a room of fans got to see some of the early episodes of the Nerima Daikon Brothers series as dubbed by ADV Films. The series is as intense and nonsensical as you'd expect from something created by Shinichi "Nabeshin" Watanabe, who clearly didn't fry enough brains with Excel Saga. Daikon Brothers may mean more work for its actors, Japanese and American, than any other series, because it's a musical that has more dialogue sung than read. We can't imagine how Ayres and the other dub actors get through a session for this series, because they have to match character movements in song; often those songs are in dialect or at the outer reaches of the actors' singing ranges. Next to Ayres is Kate Higgins, a member of the Naruto and Eureka Seven dub casts, who was amazed by what she saw from fans in Phoenix. We don't know who the guy on the right was.
Here's another relative newcomer to anime conventions, Neil Kaplan, who was wearing himself on his shirt. It was an Optimus Prime shirt, suitable for an actor who is one of the "other" voices of the good guy lead character from the Transformers. Peter Cullen remains Prime's prime voice, but Kaplan got the role in the 2001 renewal of the franchise, Transformers: Robots in Disguise. (Hard-core fans of the series will be able to tell the minor distinctions between Transformers' titles.) Several other Los Angeles-based voice actors familiar to anime dub fans were part of that cast, one of three or four different Transformers cartoon casts used over the years. Kaplan also was Hawkmon in Digimon, and he was a bad guy in the Justice League Heroes video game that featured Crispin Freeman as Superman. If you ever become a big-time actor, follow Kaplan's advice: don't take the money up front, go for a percentage of the gross.

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