Notes started at 37,000 feet on the way to Chicago:
Travel ironies from this second of three anime convention trips in as
many weekends: the first trip was to the Nashville area,home of the
Tennessee Titans of the NFL. The second trip was to Houston, the
original home of the Titans when they were the Oilers of the American
Football League. (If you believed the daily Chronicle, most of Houston
was protesting the Houston Texans' decision not to select Reggie Bush
in the NFL draft, but anime fans didn't care.) The Houston Astros
baseball team was on the road, playing at Cincinnati, where the Great
American Ballpark is a few blocks from where Ikasucon will be held in
mid-July. And the author's connecting flights took him right over the
Rosemont, Ill. hotel where Anime Central will be held, the convention
which is planned for our third trip.
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Shiokazecon was billed as a new event, but it might as well have been
the second edition of the Kamikazecon convention that was held at the
same location in 2005. We saw most of the same people who had been at
the previous year's convention. Attendance was good, even with the
competition of an international street festival downtown, a couple of
blocks from the Hyatt hotel that housed the anime convention.
Shiokazecon achieved the universal measurement of anime convention
success, attracting so many fans that you had to wait for an elevator
to get back to your room. The Hyatt in Houston that held the convention
has 30 floors, one of the tallest hotels to hold an anime convention, and
there are six or seven elevators to serve those floors. Fan activity led
to an elevator rush hour that began around 10 a.m. on each of the
convention's three days.
The "other" convention at the start of the weekend in downtown Houston
was a gathering of Texas librarians. Yes, there were a couple of Yomiko
Readman costumers spotted during the weekend, but we don't know if they
were invited to the library event.
There must be something about anime conventions in Texas that leads
Japanese rock and pop performers to cross the Pacific for concerts.
Maybe Koda Kumi's good luck inspired others to duplicate her effort:
she appeared at Ushicon in 2004 and Kamikazecon in 2005, and went on to
become Japan's hottest musical performer last year. In 2006 it was the
turn of High and Mighty Color. The sextet from Okinawa joined the
Japanese groups that were surprised by the intense enthusiasm they
received from American convention fans. It's important to note that the
group is from Okinawa, because that southern Japanese Island seems to
produce musical stars in the same way that Nashville is a home for
country music talent (and weren't we driving through Nashville one week
earlier?).
One event we missed because of our early departure was the live concert
of tunes from the "Voices for Peace" CD produced by artist Jan
Scott-Frazier. He convinced many dub voice actors to sing on the album,
a return to the musical stage experience that many of them have.
We needed to head to the airport for a late afternoon flight home, and
of course, the departure was an hour late.
Another actor provided us with a surprise. We didn't expect to see
Taliesin Jaffe at Shiokazecon, but there he was at the dealer's room.
Jaffe is spending a few months in Texas directing dub episodes for
Funimation in the Fort Worth area, and he made the trip over to Houston
for the convention. Jaffe's planning to eventually head back to
California for more work there, but he's got a full plate in Texas,
including some projects that he can't yet discuss.
We spent most of the weekend in the dealer's room, the home for our
photo sales booth for 2006. The convention staff gave us a choice of
locations, and we shied away from the dealer's room before we realized
that the secure location means we wouldn't have to completely rebuild
our setup each day. We needed only to put up the lighting and backdrop
once, then plug in the computer to everything at the beginning of each
day.
Apologies to those who had long waits for pictures. We had to watch the
weight of our luggage to meet the 50-pound-per-bag airline limit, so we
brought the lightest printer we had, which also was the slowest
printer. Weight counts with airline travel: one of our bags weighed in
at 50 pounds, down to the tenth, on the airline's scale, and the other
one was 45 pounds. Thanks to the two convention volunteers who lugged
and rolled the bags from the author's room to the elevators and then to
the dealer's room when we arrived. Shiokazecon staff kept providing us
with food during the weekend as well, treating us in a fashion that
made us feel spoiled for once.