Anime Expo - Death Note - 2007
Convention Schedule
Previous Reports
Personality of the Week
About this Site
Search this Site
Racing and More
E-Mail the Author

Anime Expo - Death Note - 2007
Why is Death Note so popular? To the leaders of the animated Death Note series, director Tetsuro Araki (left) and character designer and animator Masaru Kitao (right), it's because the series is more than just a horror show. Said Araki, "The biggest thing about Death Note is, yes, it has elements of horror, but it also has many different kinds of characters. It isn't confined to one genre, but it overlaps many genres. Some episodes were comedy, some were horror, some were intellectual - it brought many different kinds of tastes to Death Note. Added Kitao, "There's the story, there's the characters and there's the great balance of different aspects of morality - what's moral and what's immoral. We've been able to visualize the animation in a unique, beautiful way that can't be done in live action. Kitao's comment reflected the fact that the Death Note anime is just one of the adaptations of the manga created by artist Takeshi Obata and writer Tsugumi Ohba; there are two live-action movies and a video game. "What I tried when I created the animation was to recreate the excitement that I felt when I read the original manga," Araki said. "The animation has a different expression than the manga, but I wanted to portray the same kind of excitement as the manga." On his reworking of the manga art for the animation, Kitao said "I did want to stay true to the original. Even if I tried to draw something like the originals it came out different. That's how I work, and I hope the audience takes that into account when they watch the animation."
The animation's 37 episodes gave Araki the opportunity to carefully pace the scenes and stories for the best dramatic impact. "Animating Death Note was very difficult," said Araki. There were many things I tried when I was working on the project, but some of the approaches were to make things visually very dramatic - to make gaps between when something's up or something's down...to have a difference between the highs and the lows. That's what I focused on. Kitao said it's a mater of not revealing everything at once, whether it's art or the story. "Imagine that you're watching a beautiful lady's eyes." Kitao said. "Up close, you have a difference between having a clear view of her eyes and having hair over the eyes. Sometimes, people are more interested in something that is hidden. In animation, that might happen for only a split second, but it gets audiences interested in what's going on. Those are the kind of things I watch out for." Death Note's premise, that you can kill someone by writing their name in a notebook in a certain way and at certain times, has made it one of the most popular movie franchises in Japan, and it's also lead to stories about strange things happening to people associated with the series. Araki downplayed those stories,saying they were exaggerated, and Kitao said "The mass media really wanted some cultish or supernatural things to happen, but it was just humans making stories about a human group of people."




Pictures
Panels and
Interviews

Anime Expo
Main Page