Anime Expo - Chiaki Ishikawa - 2007
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Anime Expo - Chiaki Ishikawa - 2007
For all of her musical accomplishments, including a bevy of anime theme songs, Chiaki Ishikawa was missing one point on her resume, a concert performance. Whether as a member of the See Saw duet with Yuki Kaijura or as a solo performer, Ishikawa had generated a succession of successful recordings, including songs for the Noir anime and themes for two versions of Gundam Seed, Simoun and Bokurano. However, all of those themes and all of Ishkawa's professional singing had been done in a studio, not in front of an audience. She hadn't spent much time singing in public since she was part of a church choir, then her sister's band. "I never thought I'd become a professional singer," said Ishikawa at an interview session. Just like a typical girl, I thought it'd start a family and become a good mom. But my singing got better and my older sister really fostered me (as a performer)." So, one day after the interview session, Ishikawa was scheduled to make her first public concert performance at Anime Expo, half a world away from home. "Before I had a concert, I wanted to have a backlog of songs and the right time is now."
The songs included .hack and Gundam seed songs, material she expected to be popular among Anime Expo fans. "I grew up watching Gundam,but I never imagined I would end up writing the ending themes," she said. Getting those themes right to the point they satisfy the series' producers is part of the unique studio pressure that Ishikawa has faced in her career. "The production staff is very detailed about their work. They check the music...we were able to maximize what we could do, working together." For many performers, acting and singing are different parts of the same skill, and Ishikawa agrees. "When I'm making something, I try to think like that character. I'll be that character and write their lyrics."  Ishikawa already had had a CD of her songs on sale in the U.S., and her producer said more copies were sold than expected, but he acknowledged that musical sales success is difficult in the U.S. for Japanese performers.




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